(This has been quite a long day, but it hasn’t felt long. Very involving conversations all ’round! I think a lot of people have had the experience of re-valuing people and practices they hadn’t known about or hadn’t thought much of. That’s a fantastic outcome.)
Table 1. Intellectual networking/self-interest; fieldwork/folklore. Listed out traditional networking processes (conferences, institutes, seminars, humanities centers, individual contacts and mentoring, etc). Eventually mailing lists came about, and they were different: enabled lurking (which is no good at a conference!), non-networking networking. Newer networking practices (undergrads and younger grad students): always in the network, multitasking with one task being networking, networks start at an early age and carry over across educational contexts, bigger networks than young scholars had before. In learning-management systems, networks are brutally cut off at semester end because of FERPA; conversations end abruptly. In networks outside university contexts, this doesn’t have to happen. No strong evidence of these networks among current-gen humanities scholars, but will probably happen.
Fieldwork/folklore. Collect a lot of data, but only a small amount of it ends up published/cited. Where does that primary material go? No incentive to collect/organize it, arrange it for IR, but IR doesn’t know what to do with it without that organization! Sciences notion of “waste data” that’s of use to someone else. E.g. Hubble telescope images captured incidentally, while tracking from one part of the sky to another, not useful to PIs, but useful to someone else! Not a practice of sharing data collection in the humanities (”if I go to Amsterdam to look at my stuff, I don’t ask anybody ‘hey, I’m going to Amsterdam, is there something I can look at for you?’”).
Table 2. IP/creation of new works. Talked about distribution too. Humanities consume IP to produce IP (e.g. media studies). Bamboo should push fair use hard and aggressively. What is the best approach? Model licenses, “bill of rights” (proclamation “we the scholars believe we have these rights to use your materials…”), e.g. use without permissions, non-exclusive digitization rights. Whatever Bamboo does needs to be open (source). Could be like JSTOR or DLF; pay-to-play, or RedHat Linux model (free to use, support costs). Google is aggressively digitizing stuff from the global south, stuff needing digitization for preservation purposes, but it’s the usual exclusive license; deal with the devil? are we being scooped by Google? can Bamboo help, by digitizing stuff in a more open and equitable manner?
Libraries/universities as publishers. Will they stand behind faculty who publish riskier (vis-a-vis IP) materials? How will they respond to cease-and-desist orders? IRs should be easier to use and operate!
Table 3. Delivery/presentation/dissemination. What is the architecture needing development to make things accessible? Indexing, search, scanning, delivery, flexibility. Assume that architecture exists; what does delivery mean? Building interfaces to resources based on target audience. Packaging relevant to content and audience. Information visualization!
Dissemination: assuming we want to reach a wide audience, it should be possible. Multiple delivery vectors. Simplifying access. Cheap access!
Presentation: networking techniques involving technology, e.g. Second Life, sharing slidedecks. Long-distance collaboration. “Interfaces” includes Google Earth tricks (Rumsey Maps). Is Bamboo a self-contained software stack, or a collaboration among developers of many different tools? Either way, you want connections/hooks into other technologies (such as 2.0 tech).
Serendipity: Pure luck in discovering something you weren’t looking for. Open to discovering unlooked-for possibilities throughout the Bamboo process. Tools exist already that facilitate this (clustering search engines, SemWeb stuff). Bamboo = slime mold!
Table 4. Creativity/recreating past methods. What does creativity mean? New discourse contexts, new products, new strategies; new forms of creativity. Related verbs: moving around, adapt, play, react, test, re-mediate, repurpose, experiment. Sometimes you have to be saturated with info to do this; sometimes you have to be expert. Limits and inspiration to creativity: technology, context, having a problem. Creativity killers: technology, form, control, isolation, pressure, no pressure, audience, rules.
What should Bamboo do? Figure out how to make tools that enable productive play without wasting time.
Recreating past methods: to understand what you’re looking at. Recreate an environment (e.g. of a play performance, of another culture or time). Recreate context (intertextuality, relations between art and politics, historiography). Recreating a model. Eventually, we become the past; how do we make transparent our work to those who come after us? Contextualized archiving, documentation via social tagging.
Table 5. Discovery. Of what? texts, images, objects (what we study), people (in communities, to network with), archives, tools to work with. Tasks: google, read, search, follow citations, etc.
Archiving and “data hygiene.” You expect what you work with (primary text editions, etc) to have certain levels of quality; what is good enough? If it’s not good enough, who can fix it? Allow users to help, but are they skilled enough, and who judges their corrections? Distributed Proofreading as model. Add metadata/tagging to add value.
Archiving issues: versioning. what should get archived? what does an archivist do? IRs versus dark archive vs. OA archive. Preservation and format migration.
Table 6. Social connections. Social networking. Building, contributing connections. (Reprise of academic social practices.) Status, trust, and respect in established and sustained connections. Role of leadership.
Enrichment. Adding value. Enriching content, for ourselves and others. Visualization, annotation, pattern recognition, digital surrogates and how they help us enrich content. Discovering, adding new knowledge vs. adding new methodologies.
Table 7. Public/community involvement. Maybe not all that common? What does the community do? Folksonomies, meaning-making, disambiguation, putting things in context, changing the public sphere. Would like to see: two-way processes, removing barriers to public involvement in classroom contexts, libraries, etc. Connecting to community to make our work relevant. E.g. internships, oral history, service learning, surveying, offering work for sale. Is the connection with the public discipline-specific? More incentive in some disciplines than others. Does engaging with the public make work less valuable academically? Facilitating delivery, discovery, participation by academics and public.
“Smashing.” All had it in common! Literal and figurative. Questioning established forms of publication. Promotion and tenure. Boundaries (academia/public, disciplines, teaching/research/service, teaching/learning, faculty/staff, faculty/student relationships), perceptions of library and IT, hegemony of print.
“Confessing stupidity.” When can you do this in the academy? Feedback loops for improvement. Accountability, learning from mistakes, exploring dead ends (where is the “journal of null results”?). Need authentic, meaningful peer review; very challenging to do, to receive, to get people to do. Acknowledging boundaries of knowledge.
What do we want, in the end? Reflective practice, continuing engagement in process. Submitting non-traditional materials in tenure and promotion packages. Taking risks. Re-evaluating how we provide feedback. Celebrating mistakes. Collaborating across boundaries. Being involved in peer review and critique. Exploring new forms of publication and distribution. Giving stuff away!